As Jean-Luc Godard said, “Every film is the result of the society that produced it”. Cinema is a mirror of society. When the art of motion picture makes direct or indirect reference to a diversity of intellectual property (IP) issues — such as access to knowledge and social justice, freedom of creation and freedom of enterprise, counterfeiting or infringement, negotiation and settlement agreement —, this ascertains that IP has become tremendously important in our societies.
| Poster | Year | Title | Director | IPR | Article |
|---|---|---|---|---|---|
 | 2010 | The Social Network | David Fincher | Copyright | Read more |
 | 2010 | Extraordinary Measures | Tom Vaughan | Patents | Read more |
 | 2004 | Narco | Tristan Aurouet et Gilles Lellouche | Copyright | |
 | 2010 | Nous trois | Renaud Bertrand | Patents | |
 | 2010 | The Ghost Writer | Roman Polanski | Copyright | |
 | 2011 | Anonymous | Roland Emmerich | Copyright | |
 | 2010 | Sans laisser de traces | Grégoire Vigneron | Patents | |
 | 2013 | Jobs | Joshua Michael Stern | Copyright | |
 | 2014 | Big Eyes | Tim Burton | Copyright | Read more |
 | 2015 | Joy | David O. Russell | Patents | |
 | 2011 | Bienvenue à bord | Éric Lavaine | Trademarks and designs | |
 | 2012 | Architecture 101 / 건축학개론 | Lee Yong-Joo (이용주 감독님) | Trademarks | Read more |
 | 2012 | The Words | Brian Klugman Lee Sternthal | Copyright | |
 | 2004 | Secret Window | David Koepp | Copyright | |
 | 2019 | The Hummingbird Project | Kim Nguyen | Patents | |
 | 2008 | Flash of Genius | Marc Abraham | Patents | |
 | 2003 | Paycheck | John Woo | Patents | |
 | 2018 | Dilili à Paris | Michel Ocelot | Copyright | |
 | 1999 | Balzac | Josée Dayan | Copyright | |
 | 2019 | The Dirt | Jeff Tremaine | Copyright | |
 | 2007 | American Gangster | Ridley Scott | Trademark | |
 | 2006 | Da Vinci Code | Ron Howard | Trademark |